Author Archives: Scott

“If you are protected from dark things, then you have no protection of, knowledge of, or understanding of dark things when they show up.” – Neil Gaiman

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Just like Christmas, Halloween seems like it was designed in a think tank made up entirely of children. I mean, c’mon, it culminates in a glorious day when kids are encouraged to dress up as whatever they want, and adults are required to give them free candy.

Yet, as great as that part is, there’s more to find if you look beneath the surface.

Christmas gets all the credit for being a season of imagination and wonder, full of the metaphors of hope, belief, generosity, community, and reconciliation. But Halloween has an enchantment of its own. It, too, is full of imagination and wonder, it’s just that the metaphors are often darker, with stories of ghosts and monsters exploring themes like fear, grief, and death.

They’re themes parents often, understandably, shield kids from. Yet, fear, grief, death, and the like, are part of life. Stories, including film, can be a way for kids to get a safe exposure to those darker parts of life. Fiction does an endless number of things, and one is that it allows us to experience difficult things in small doses, which can help us face them when we experience them in potentially lethal doses later on. You know, like slowly developing an immunity to iocane powder.

I don’t have kids, so I can’t vouch for this as a parent, but I can do so as a former child, and as someone who thinks about story way too much.

Anyway, here are five movies to watch this Halloween with some kids you love – or on your own. And fear not, they don’t all explore darker themes, and they don’t all have a macabre imagination. One explores courage in the face of fear; one explores grief, loss, family, and acceptance; one is about disillusionment and identity; one is about finding a home where we least expect it; and another is just silly fun. I’ll let you figure out which is which.

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Coco

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My five-year-old nephew associates me with two things: the Teenage Mutant Ninja Turtles, and Coco. Needless to say, I love this movie. It’s a wonderful story, beautifully told, and I can’t get enough. I’ve seen it more times than I should probably admit, and I cry every. time.

Seeing as how the plot hinges entirely on Dia de Muertos, it’s the perfect movie to watch on Halloween night.

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Wallace and Gromit: The Curse of the Were-Rabbit

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The Curse of the Were-Rabbit has everything: cheese, amazingly bad puns, Gromit, the cutest bunnies in cinema history, vegetable-based sexual innuendo [that stays vague enough that you won’t feel bad watching it with little kids], and the smarts to poke fun at the tropes of the werewolf sub-genre.

I give it four out of five wheels of Wensleydale.

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Coraline

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Coraline is officially the first film featured on two Halloween Movie Fest lists this year. First, because it’s a great horror fairytale, and now, because it’s another perfect movie to watch with the kids you love this Halloween. Or, you know, by yourself as an adult. No shame, baby. No shame.

As I wrote before, this stop-motion fairytale about a girl who must singlehandedly take down an ancient monster, learning just how strong and brave and clever she is, is exactly the sort of story we all need right now.

If I had kids, I’d be so excited for when it was finally time to share this movie with them.

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Bedknobs and Broomsticks

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If we’re being completely honest, Bedknobs and Broomsticks is a shameless attempt to capitalize on the success of Mary Poppins, albeit seven years later. But ripoff or no, oh my god did I love this movie as a kid. If I could have, I’d’ve taken the film’s climax – you know, when the armor comes to life and fights Nazis – and mainlined it right into my veins.

I mean, come on, what’s not to love? It’s got Angela Lansbury. It’s got David Tomlinson playing the polar opposite of his character as the dad in Mary Poppins. It’s got people turned into rabbits. It’s got some decent songs (“Portobello Road” gets stuck in my head on a quasi-regular basis). It’s got a magical bed that can take characters anywhere in the world. It’s got a soccer game between humans and cartoon animals.

And did I mention armor comes to life and fights Nazis?! Because it does. Angela Lansbury sing-casts a spell for ‘substitutiary locomotion’ and an entire army of old armor comes to life and fights off an incursion of the Third Reich. Where and why was there an entire army’s worth of armor laying around in a tiny English village? Who knows! But there was, and it came to life and fought Nazis, and it was amazing.

As family-friendly Halloween-ish movies go, Bedknobs and Broomsticks is a solid choice.

Oh, and the spell for substitutiary locomotion is “Treguna, Mekoides, Trecorum, Satis Dee.” It might come in handy, what with Nazis making a comeback over the last few years #themoreyouknow

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The Nightmare Before Christmas

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The Nightmare Before Christmas somehow seamlessly combines Halloween and Christmas into a single glorious whole. This is a great service to humanity, seeing as how science has objectively proven that those are the two best holidays of the year. #thanksgivingsucks.

Henry Selick’s stop motion musical masterpiece is darkly enchanting and genuinely creepy, leaning all the way into those Halloween punches, while also telling an earnestly hopeful story that fits right in with the Christmas ethos.

It’s a moving story of identity, disillusionment, curiosity, and discovery, that has made Jack Skellington, the Pumpkin King, into one of the all-time great characters of both Halloween and Christmas.

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Honorable mention: It’s the Great Pumpkin, Charlie Brown; ParaNorman; Corpse Bride; Monster Squad; Labyrinth; Monsters, Inc.; The Boxtrolls; and Frankenweenie.

Once upon a time, all fairytales were horror fairytales. Murder, cannibalism, torture, dismemberment, necrophilia, and all sorts of other nasty bits fit right in, and even happy endings were likely drenched in blood. It’s a reminder that, while often dismissed as a genre, horror plays no small part in the tradition of human storytelling.

The same goes for the history of film, where horror can always be found at the vanguard of style and innovation. [1920’s The Cabinet of Dr. Caligari is perhaps the most famous early example of a horror film that changed the medium forever, but examples date all the way back to the 1890s.]

To this day, horror is still an unsung pillar of storytelling and film, and in the hands of gifted and imaginative filmmakers, great horror bedtime stories are still being told. Here are five you should watch this October.

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Tigers Are Not Afraid

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“But the prince couldn’t become a tiger, because he’d forgotten how to be a prince.”

Set in a nameless Mexican city ruled by drug lords, Issa López’s Tigers Are Not Afraid is a heartbreaking fairytale about children trying to survive in an ugly, violent world. A clear descendent of writer-director Guillermo del Toro’s work [get used to del Toro showing up on this list], the film is darkly imaginative, using supernatural horror and fantasy to tell a story in which real monsters are human, and defenseless kids are treated as so much collateral damage.

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The Lure

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“Help us come ashore. There’s no need to fear. We won’t eat you, my dear.”

Ever wonder what it would be like if Hans Christian Andersen’s The Little Mermaid was told as an erotic-horror-musical about man-eating mermaids, who take jobs working as adult entertainers at a club in Poland? Of course you have, and now you finally have your answer.

Whatever you’re imagining, I assure you the film is significantly more bizarre – and gleefully so. This one definitely isn’t for everyone, but it sure as hell isn’t like anything you’ve seen before.

Fun Fact #1: The original Polish title is Córki dancingu – which translates as Daughters of Dancing – because apparently the working title for Hans Christian Andersen’s original story was “Daughters of the Air.”

Fun Fact #2: This is director Agnieszka Smoczyńska’s feature length debut, which left me sooooo curious to see what craziness she’ll create next. Turns out, it’s going to be a science fiction opera featuring the music of David Bowie. So, you know, sploosh. [Mermaid phrasing, boom!]

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Coraline

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“She’s got this whole world where everything’s better. The food, the garden, the neighbors. But it’s all a trap.”

Horror, myths, and fairytales are all firmly situated in Neil Gaiman’s wheelhouse, so I can’t imagine anyone being surprised to see his work on this list.

This stop-motion fairytale about a girl who must singlehandedly take down an ancient monster, learning just how strong and brave and clever she is, is exactly the sort of story we all need right now.

Combine the imagination of Neil Gaiman with the magic of Henry Selick, and — *chef’s kiss* — perfection.

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Kwaidan

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“I won’t harm you, but if you ever tell anybody about what you’ve seen tonight, even your own mother, I will know of it, and I will kill you.”

If you’re into classic Japanese cinema, then Kwaidan is the horror fairytale film for you. Drawing its title from an archaic Japanese word meaning ‘ghost story,’ legendary director Masai Kobayashi’s film – consisting of four stories based on Japanese folk tales – is a consensus masterpiece.

The film is one of Guillermo del Toro’s favorites of all time, and a huge influence on his work. That’s a big deal, because – as I’m about explain – del Toro is king.

[Pro tip: if the film’s 182 minute runtime spooks you, you can watch the self-contained stories episodically. #themoreyouknow]

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Pan’s Labyrinth

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“My mother told me to be wary of Fauns.”

Guillermo del Toro is the master of horror fairytales. Cronos, The Devil’s Backbone, and The Shape of Water fit on this list in their own right, but Pan’s Labyrinth is the one film to rule them all – and by ‘them all,’ I’m including not just his filmography, but all the horror bedtime stories ever committed to film.

The film is the platonic ideal of a del Toro film. Every hallmark of del Toro’s storytelling sensibilities is distilled down to its purest form. Remarkably imaginative, beautifully horrible monsters populate a tale of violence, cruelty, power, and innocence, illustrating humanity’s capacity for both ugliness and beauty. Del Toro’s work is proof of the power of storytelling and imagination.

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I know I’ve said it repeatedly over the last six months, but in times like this, we should grab onto all the good and beautiful things we can find, then hold them close.

For me, James Blake covering Frank Ocean’s “Godspeed” is definitely one of those things. [Fun fact: Blake co-produced, arranged, and played on the original version.]

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I get that there’s no interested party in this galaxy, or any other, who hasn’t already seen this trailer, but I needed it on this blog anyway. This is the way.