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the legendary roots crew.

The Roots just came to Seattle, playing two nights at The Showbox at the Market. Fortunately for me, Emily got me tickets for Christmas. It was an amazing three hour show. The encore alone included a 30something minute long medley that featured Roots songs and covers (from Guns & Roses to Led Zeppelin), and during which the band expended more energy than any other band I’ve seen does in their entire set. Here are three impressions I came away with after the show. It’s just the tip of the iceberg, but I imagine no one really wants to read 3000 words of my thoughts about the show.

1. ?uestlove is a genius.

I love The Roots. I think that even with, or perhaps because of, all their popularity as Fallon’s band, they are a wildly under-appreciated and underrated band. During their concerts, they take the whole thing to a new level.

The engine/heart/curator/director/producer/brain behind it all is         ?uestlove. He is a remarkable bandleader, which is why they are such a skilled and contagiously fun live act. Yet, his direction is always subtle. He is constantly creating contexts for other people to shine. He never leads the band by shouting or making big gestures to make sure everyone knows who is in charge, but simply has a second microphone at his kit that only feeds to the rest of the band and to the folks controlling the levels. Through this he refines each moment of the performance, keeping the band on point, and directing the sound board based on the main feed he gets through his headphones.

It’s hard to find anything more fun than a Roots show, and ?uestlove is the primary reason for that.

2. The Roots Are the Happiest Band on Earth Continue Reading →

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four albums you should listen to, in case you haven’t yet.

I’m behind on most music at the moment, but there are still a few new releases of late I’m into. Do yourself a favor, and get your hands on all of these recent album releases.

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1. Broken Bells – After the Disco

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2. St. Vincent – St. Vincent

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3. Beck – Morning Phase

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4. Phantogram – Voices

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my favorite albums of the year – pusha t.

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This year has seen a remarkable saturation of amazing hip hop albums. Some are genre busting, experimental powerhouses like Yeezus (more on that another day), but there are also a large number of straightforward hip hop albums that push the genre forward, but in a way that’s more accessible than Mr. West’s most recent outing. Case in point: My Name is My Name by Pusha T.

I’d been looking forward to this album for a while. The 36 year old rapper, who makes up half of Clipse, has been active for some time (over two decades), but since I’m not the hip hop head I wish I was, he didn’t come to my attention until he started showing up on Kanye tracks a few years ago.

While I was anticipating Pusha’s first solo studio LP, this album is far, far better than I could have hoped. It’s amazing from end to end. The production is fantastic, and delivery-wise he has the street cred, awareness, and subject matter of a young Jay-Z, but with hunger, energy, and intensity that Jay-Z never had even at the peak of his lyrical abilities, which is saying something since Pusha is nearing his 40’s, not exactly prime time for most emcees.

Pusha T’s flow is dynamic, sharp, aggressive, and engaging. In a lot of ways I feel like he is an East Coast companion to Kendrick Lamar, who fittingly shows up on this album with a great verse of his own.

As much as I love this year’s outings by Run the Jewels, Chance the Rapper, Ye, Gambino and others, I think if I was only allowed to keep one hip hop album from 2013, this would be it. 

The one downside I have to mention is that Chris Brown appears on the album, who I think is the worst person in music.

I totally understand how unlikely it is that folks buy music anymore, but I’ll be including Amazon links to the albums I mention. If you feel so inclined, support the band AND Roused to Mediocrity in one amazing swoop! If you’re interested, click the album cover below to buy this album for 3.99.

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my favorite albums of the year – chvrches.

Normally, this is the time of year when Brian and I would do awesome music posts to share our very favorite albums. That’s not going to happen in 2013, hopefully it will return in 2014.

Still, I want to do something to share some of my favorite albums of the year, even if it is in less grandiose fashion than normal. I’ll just mention one a day, a few times a week, and share a music video for your enjoyment, in case you’re unfamiliar with the band.

It should come as no surprise that Chvrches makes it on the list, because even in a down year in activity here on Roused they’ve still gotten quite a bit of exposure starting back in May.

I really love when Electronic Pop or SynthPop is done well, but most of the time it isn’t done well at all. If I skip to a few local radio stations that aren’t KEXP when I am driving it doesn’t take long to hear that EPop and SynthPop are getting pretty popular right now, and that most of the popular iterations are cringeworthy.

That’s why I love Chvrches! They are everything that is right about the genre. They simultaneously lean forward into innovation and backward into a deep well of what has come before them. It isn’t hard to notice the influences of their 80’s and 90’s childhoods, for example, the band brought the house down here in Seattle with their encore cover of Prince’s “I Would Die 4 U” and they have also notably covered Whitney Houston’s “It’s Not Right but It’s Okay.” It feels so natural when they perform these songs, because songs and artists like Prince and Whitney (among many others across genres) can be felt at the heart of Chvrches. Not in a way that makes them sound derivative or carbon copied, but instead in a way that feels like the inevitable descendants of the innovators of the past.

**Side note: I’ve heard a lot of people say that Chvrches just sounds like Purity Ring. This is almost understandable, but largely just proves those people aren’t listening very closely. To be honest, Purity Ring’s breakthrough 2012 album Shrines sounds a hell of a lot more like SBKTRKT’s 2011 self-titled album than anything from Chvrches resembles Purity Ring. Both bands are electronic and make you want to dance. Both bands have female lead singers. That seems to be all people need these days to announce something is derivative. I think maybe some folks just want one female led group in each genre to represent all of the female output artistically. Tokenism. Chvrches is much more than just a Purity Ring knockoff!**

The Bones of What You Believe is a celebration of the very best of pop music and electronic music, without being shackled or pinned in by the boundaries of either. They also manage to stay entirely accessible, and if they can get some on screen charisma to match their musical charisma, the world will be theirs for the taking.

P.S. – I think their music videos are pretty boring and uninteresting, but the music is worth checking out. If you haven’t heard Chvrches yet, watch the video just to experience the auditory goodness.

I totally understand how unlikely it is that folks buy music anymore, but I’ll be including Amazon links to the albums I mention. If you feel so inclined, support the band AND Roused to Mediocrity in one amazing swoop! If you’re interested, click the album cover below to buy this album for 3.99.

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coachella got lucky.

Apparently, everyone who as at Coachella last night at the main stage got to see an unannounced “trailer” from the upcoming Daft Punk album. The trailer reveals the rest of the collaborators on the album (until now, most had been kept a secret, with only a few having been revealed recently).

Random Access Memories comes out at the end of May. The clip, featuring Nile Rodgers and Pharrell, is from the song “Get Lucky.”

I want to go to there.

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frank ocean.

Several weeks later, and I still can’t really understand how this album is so good. He opened his tour here in Seattle, just before I got into him. I really need to stop getting into bands days after they leave Seattle.

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