tattoo me.
Some of you may remember my request to get a tattoo paid for by my friends and readers, (an idea I stole from my friend Kj). My desire is to celebrate the mark that’s been made on me internally in my writing by marking my skin externally.
I’m hoping that anyone who has enjoyed my writing in any form, or enjoyed any of the parts of me that corollate to story, might help me a tiny bit toward getting a tattoo. I’m moving back into writing every day again, and hopefully this will offer some encouragement. A few gave in the past, the last time I asked for donations, and for that I am remarkably grateful.
The tattoo should actually be pretty cheap. The idea for the tattoo is to put the words ‘Story’ and ‘teller’, one on top of the other, (although I’ve considered letting the word stand alone as it is normally, instead), on the inside of my left wrist, in a typewriter font of my choosing.
Here are some of the reasons I would be getting this particular tattoo.
1. It would be placed on my wrist, right where one would open his veins. Ernest Hemingway said: “There’s nothing to writing, just sit down at a typewriter and bleed.” This tattoo will help me remember that I need to be learning how to bleed into my work, that it really must cost me something, and that it really must come from my heart. There will be a direct line between my heart and the tattoo on my wrist reminding me of a major part of who I am.
2. Even if I never make money writing for a living, my ever-changing work stemming from trigger fiction as well as my time screwing around with this blog has confirmed to me that I still want to write stories for the rest of my life. Without even writing complete stories, yet, writing has opened up parts of me that I’ve really loved interacting with. I want to be a storyteller for the rest of my days, and this tattoo will make that impossible for me to forget. As I transition into revising and seeing what happens as these stories start to open themselves up only makes me more excited to see what comes next.
3. I don’t just want to be a storyteller in the writing sense. I want to be a person who listens to and tells stories well; the stories of my life, the stories of those around me, the stories of those with no voice. I want my vocation, in a myriad of ways, to be ‘Storyteller.’ Thus, tattooing it on my body forever.
I would really love it if you would contribute to this tattoo. If you’ve enjoyed any of the writing here, and at trigger fiction, or even if not, the tangible support would mean so much. Even if you can only donate a dollar toward the cause, that’s one dollar closer to my first tattoo. So far, I’ve raised $4 towards a tattoo, and the folks who donated towards that are awesome. That four bucks is waiting for company.
Thanks!
Donate via paypal by clicking this link:
back where i belong. [five things, 12.11.11]
Clinical depression and a new full time job don’t make for lots of blogging, especially when there were a few hoops to jump through to get said blog up and running again. It’s not that I’ve been sad, depression doesn’t always manifest as sadness. No, I’ve been pretty tired lately folks. Deep down in my bones exhausted. However, there are several things that have me hopeful that blogging will be happening more often now.
One: I don’t work at Java Bean anymore, and everyone at my new job is really great. It’s basically the anti-Java Bean. I’ve already felt more appreciated at UW (where I work now) than I did in the entire cumulative time I worked at JB. Good management is an amazing thing.
Two: I should adjust to all the things I need to learn and master for the new job, get used to the new social settings, and not be quite so tired anymore, that’s already starting to happen after week two. That means blogging goodness is on its way.
Three: Did I mention I DON’T WORK AT JAVA BEAN ANYMORE?!!!!!!
Four: I also have a new theme I’m going to be trying to get working to make things look nice and sexy here at RtM, which will add even more inspiration to be here. Plus, the lists of 2011 are coming!
Anyway, that’s why I think I’ll be blogging more often, as I should be. Here are five things I’ve wanted to share with you all over the last few weeks while I haven’t been able to blog.
1. Florence + the Machine
I know I was late to this party, but I’m glad to be here just the same. I’ve been listening to Ceremonials non-stop for weeks. Florence Welch’s ability to craft epic melodies and layer them with this big, cinematic sound makes for a crazy fun listening experience. She’s so wonderful. Her music makes you want to sing and dance, but without sacrificing a desire for strong lyrics and emotional depth.
I already mentioned my clinical depression, which means it isn’t too far from my heart when her first single from Ceremonials includes the line, / and it’s hard to dance with a devil on your back / so shake him off / Well, I can’t imagine a better soundtrack for doing exactly that than Florence + The Machine.
2. Ursula K. Le Guin
Le Guin has, for some time, been one of those authors at the top of the list of those I should have read a long time ago. Her famous Earthsea novels have been on my radar as classic fantasy novels that I really needed to get around to checking out, and finally I am in the know. I read A Wizard of Earthsea and The Tombs of Atuan this month, and boy am I looking forward to future experiences with Le Guin.
Her prose is a delight to read. It’s crisp, and bright, and clean. Her work is deeply moral, as I’ve read it so far, and is filled with a beauty that’s never weighed down by a sickly-sweet sentimentality. She’s one of the masters.
3. Elizabeth
This film was beautiful in every way. I can’t wait to watch The Golden Age.
4. Sapphique
The sequel to Incarceron. This and the first book are YA novels about a dystopian future in which a sentient prison is created to be a paradise of rehabilitation, but ends up being anything but. Set both inside and outside the prison, the books are exciting and smart, and well worth a read.
5. Hugo
A magic trick of a movie about the power of story and identity, and the wonder of film, performed as only a master magician like Scorcese could offer it. If you’re anything like me, you’ll fall in love with movies all over again.
lonely boy.
as seen on tv. [the many lists of 2010.]
I didn’t actually keep track of tv shows I watched in 2010. I should have, like Kj did, but I failed to do so.
I’ll have to remember to do that this year. In the future, I would like to actually do this as a season specific thing, but I need to keep track before I can do that.
To be on the list, they didn’t have to air this year, I just had to watch at least one full season for the first time this year.
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1. Archer
Let’s see… today is the 6th, which means we have two weeks and five days until the new season starts. Rejoice!
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2. Dexter
Em and I are dreadfully behind in our Dexter episodes. We really need to use this week to catch all the way up. So many shows, so little time.
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3. Community
The second season started a bit slow, but then kicked into ‘awesome’ gear again.
I love how layered all of the show’s references are. There are the really obvious overarching pop culture references, like the Goodfellas/Godfather episode, or the Space Camp/The Right Stuff/Apollo 13 episode, etc. Yet, they also have tiny little references I don’t catch until I’ve seen an episode two or three times; tiny moments of dialogue, the way someone drops their pepper water gun, or even the fact that early in season one, Troy and Jeff are jokingly referencing Gillian Jacobs’ caracter in Choke as they leave a classroom.
Also, they gave me my favorite holiday special ever.
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4. Sherlock
This show is fantastic. Only three 90 minute episodes in Series One, so it left Emily and me wanting so much more. Episode two was a little meh, but one and three were so very entertaining.
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5. Doctor Who
Along with Sherlock, Doctor Who ensures that 2 of these 10 shows are somehow related to Steven Moffat.
The man is a television god. “The Empty Child”/”The Doctor Dances,” the first two episodes he wrote for Doctor Who, back in ’05, were my favorite from the revamp’s first year. Then, he churned out great episodes in every season after that, including the Carey Mulligan episode.
Perhaps the most impressive thing he’s done is make a fifth season I am enjoying so much. I’m not going to lie, I cried like a big fat baby watching David Tennant’s last episode, so it was a tall order to win me over to some fancy new Doctor. Somehow, it took Moffat’s ‘revamped revamp’ about 5 minutes and I was totally in.
This show also gets more accessible every season, to the point that Doctor Who spinoff ‘Torchwood‘ (which, you’ll notice, is an anagram of Doctor Who) is moving to the states via Stars.
Anyway, if the Doctor ever starts taking male companions around with him on a more regular basis, I’m taking my talents to the TARDIS.
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6. Castle
As I was making this list, I realized that Nathan Fillion is probably known to many in the country as ‘that guy from Castle.’
This makes me sad. He has so much more to offer.
Yet, that’s not entirely bad. I think everybody can use a light detective drama in their life, to unwind without having to invest heavily on a mental level. This just happens to be the best one of those out there. The writings is usually pretty good for the genre, the characters are all likeable, and the show is clever and witty.
When you get that while also getting to bask in the sexiness of Stana Katic and Nathan Fillion, it’s a win, win, win.
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7. The Walking Dead
This adaptation of the graphic novels doesn’t disappoint. Although, I am soooo curious where they are going in season two, since they diverged so much from the end of the first volume of the books.
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8. Lost
The end of Lost certainly fits into that ‘Love it or Hate it’ category. While there were certainly disappointments, and plenty could have been more satisfying, I am still most definitely one of those seated in the ‘Love’ section.
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9. 30 Rock
I have one pet peeve, something maybe everyone else can help me out with. During the first episode of 30 Rock, The Girlie Show was already a thing. Then, Jack came to town, made Lemon hire Tracy Jordan, and rebranded the show as TGS with Tracy Jordan. Still, it’s the same show, just a rebranding, like when Saturday Night Live changed their branding to SNL, or American Movie Classics changed their branding to AMC. So, my question is, why does the show always pretend that TGS is only as old as 30 Rock? They celebrate 30 Rock milestones ‘in show,’ by pretending they are at the same milestones in TGS. What’s the deal there? Am I just missing something? Help a brother out.
Aside from that, this show is amazing. The best guest appearances, awesome inside jokes, hilarious writing, and the remarkable ability to have a show that still has me laughing out loud in season five. What is this, Seinfeld?
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10. Deadwood
Slow, dark, gritty, angry, violent, and brilliant.
This show follows along so closely with the historical account of how things went down in the actual Deadwood, it’s got much more reality than so called ‘reality tv.’
the neglected. [movies, the many lists of 2010.]
I shouldn’t have missed these movies this year, but I did. I need to remedy that post-haste.
I made this list last year as well. Of those ten films, I still haven’t seen Thirst or Precious; the scariest thing about Paranormal Activity was how much of a douche-bag the boyfriend was; the rest were some of my favorite films I’ve seen this year, especially Moon and The Hurt Locker.
As for this year’s list, not seeing Monsters isn’t my fault. To my knowledge, it never played in Seattle, which is really weird.
So, here are the films I feel the most disappointed for not getting around to seeing in 2010. As always, there is no meaning to the order.
1. 127 Hours
karen gillan. [photogenic.]
villains. [movies, the many lists of 2010.]
So, we’re well into the music lists because we could start those before the year was out. However, movie lists need to wait out Christmas for the final releases. This year, those releases were the notable Tron: Legacy and True Grit. I also got in a few more films from 2010 over the holiday break, like The Other Guys, Salt, Easy A, and the absolutely phenomenal Black Swan.
Alas, now 2010 has come and gone, which means it’s high time to get rolling on 2010’s movie lists too! I had so much fun making last year’s lists, so at the very least, all of those will be back. Maybe more, who knows.
Just like last year, I’m kicking things off with my favorite villains of 2010. The normal disclaimer should be given, in that there were so many great movies I never saw this year. Thus, there are probably all sorts of wonderful villains I’ve yet to encounter from this year’s cinematic offerings. If I left out one of your favorites, sound off in the comments section so I can use some Netflix queue magic to get in on the fun.
The only qualification is that these had to be movies released in 2010.
Anyway, here are the villains of 2010 dearest to my heart.
1. The Bad (a.k.a. Park Chang-yi) – The Good, The Bad, The Weird
This movie was awesome for so many reasons, but #1 may just have been Byung-hun Lee as the the titular “Bad” in the film. As ‘bad guys’ go, they just don’t get better (or badder) than this. A smooth, sexy, well-dressed package wrapped around cold, efficient, murderous rage.
It was cinematic dynamite!
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2. Lotso (Lots-o-Huggin) – Toy Story 3
Certainly the year’s most adorable villain.
His tragic story was the dark version of Jesse’s from Toy Story 2. Whereas our rootin’, tootin’ cowgirl was left with a broken heart, leaving her untrusting and afraid. Lotso took a different angle when he was jilted by his kid, he turned into an evil bastard; using his rage as fuel to create his own empire of fear in his daycare version of North Korea.
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3. James Coughlin – The Town
As is almost always the case, the best performances make for the best villains. Jeremy Renner was truly fantastic as the primary dark catalyst in the film. Sure, there were bigger harmful forces at work in Doug MacRay’s story, but it was Coughlin who he truly loved enough that it often dragged him down.
Renner’s task was a tall order. Was it possible that he could play such a dark, violent and poisonous character without turning him into a flat “bad guy?” Renner pulls it off, giving a performance that displays the pain, brokenness, and even love that exists at the core of all his violence and rage. The result is a villain who feels like a real human being.
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4. Gideon Graves – Scott Pilgrim vs. The World
Okay, so the payoff in the movie wasn’t as satisfying to me as the version in the graphic novel. Still, that’s a small concern. The movie was awesome, the books just offered a better conclusion. In both forms, Gideon Graves is one hilariously pretentious dick, and as Rushmore forever made clear, no one plays hilariously pretentious dick better than Jason Schwartzman. It’s funny, because he actually seems to be a sweet, funny guy. Plus, he also plays the hapless loser as well as anyone else, too.
Anyway, if you asked me before the movie was cast “Who should play Gideon Graves?” I wouldn’t have known who to say. In hindsight, no one should have played him but our grown up Max Fischer.
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5. Anyone Responsible for the Attempted Film Adaptation of a Video Game – Prince of Persia, Resident Evil: Afterlife, etc.
You would think that, by now, someone would have released a decent film adaptation of a video game. I’m not looking for Citizen Kane here, just an action movie that isn’t painful would be pretty satisfying.
The stories in video games themselves continue to grow more entertaining and complex, offering more than just gameplay. Surely, the law of averages would result in one mediocre movie by now right? Eh, apparently not.
To be honest, I didn’t even see Resident Evil or Prince of Persia, and for the latter, I know a handful of people who turned it off during the movie because it was turning out to be such a waste of time. Not a handful of friends watching the movie together, just random people I know who all separately couldn’t make it through the whole film. Granted, casting a guy whose father descends from SWEDISH nobility as a PERSIAN is pretty fucking stupid.
How long will we have to keep waiting for a video game adaptation that doesn’t suck? Maybe it’s just never meant to be. Mass Effect is supposed to have a movie coming out eventually, and if they fail to make a decent film out of a story/mythology as entertaining as ME, I’ll lose hope altogether.
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6. Mother Gothel – Tangled
Wow, I just realized that’s two years in a row that the Disney villain made it into the “Villains” list. They really have made a comeback since the folks from Pixar took over creatively. What wonderful news!
This character was so brilliant as a manifestation of how a domineering, manipulative, narcissistic parent forces a child into enmeshment, and arrests development. In our consumer culture, children are too often an accessory to the complete life, just another thing I add to myself to be complete and see myself as I need to. Thus, the kids can’t be themselves, they have to be molded, guilted and shamed until they reflect back to us our own fabricated self-image. It’s heavy shit, and somehow, Disney nails it without being a downer.
The fact that the Mother Gothel character gets at really deep human psychological themes while never detracting from an entertaining story is what fairy tales were all about to begin with. It’s nice to see Disney kicking ass by getting back to fairy tale style roots.
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7. The MPAA – Blue Valentine & The King’s Speech (among others)
I put this on my list a few weeks ago, but then Cinematical put it on their “Lamest of 2010” list. They explained why the MPAA was a villain this year pretty well, so I’ll leave it to them:
We saw the powerful Yael Hersonski documentary ‘A Film Unfinished’ get an R, though similar Holocaust footage from ‘The Last Days’ earned a PG-13 rating. Their appeal failed. ‘Blue Valentine’ was smacked with an NC-17 for some nudity and a clothed scene of Michelle Williams receiving oral sex – luckily their sexist-17 rating was overturned. But ‘The King’s Speech’ lost its appeal and still has an R-rating for use of the F-word, which was used as a “release mechanism” to help the King overcome a stutter; cutting one F-bomb gave ‘How Do You Know’ a PG-13 instead of an R; and ‘The Tillman Story’ lost its appeal for the language used by the soldiers in the film. To top that off, torture porn easily slipped into R ratings, and the ‘Breavement’ poster was banned for a kid holding a weapon, though Hit Girl had no problem with hers on the ‘Kick-Ass’ posters. We love the smell of hypocrisy in the morning!
[via Cinematical]
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8. Christians in Movies – Easy A
Hollywood really needs to grow up in its depiction of Christians. Especially Christian teens. Now, far be it from me to apologize for the religious right, or fundamentalism. Those fucking lunatics drive me as crazy as they drive the next guy. The thing is, why are ALL Christian teens in movies in that category?
Sure, the social dynamic of Easy A surrounding the Christian nutjobs was a familiar one in our current cultural milieu, but where were the religious people who were human beings? The lunatic religious extremists, while they represent the loudest section of the religious, are actually a tiny fraction. I knew tons of Christian teens in high school who were friendly, and accepting, and forgiving, and decent, just like… hmm, Jesus. Sure, there were the assholes who just wanted to judge others from their high horse, but my assumption was that they did that because they were insecure, weak-minded douche-bags, and if it weren’t religion they would have found something else to be dicks about.
My biggest pet peeve with this continual portrayal is that it’s just lazy storytelling. It’s like a George W. Bush joke: it’s most probably true, but it’s been done to death and amounts to a cheap, easy laugh with zero effort. It’s like when a band gets a cheap cheer by saying “This city is always our favorite one to play, you guys are amazing.” Stop buttering up the crowd and show us why we should cheer for you with an actual performance!
I say this because I enjoyed parts of Easy A. It was a fairly enjoyable ode to 80’s teen comedy. Emma Stone was pretty great as the heroine. And the messages the film sends out to young viewers is a far better than most. Granted, as one blogger put it (I’m paraphrasing), all of the characters in the film were more caricatures than actual people, so it’s not like the Christians were the only cartoonish characters. For me, it’s just that this is a gag that is really getting old.
We get it, judgmental fundamentalists are crazy and annoying. What else is new?
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9. Moriarty – Sherlock
I know, this is a movie list. Technically, Moriarty shouldn’t qualify, being that he is a character in a BBC television series (Series 2 doesn’t come out until next fall!!! Grrr). Yet, with episodes clocking in at 90 minutes a piece, with wonderful production quality, I’m counting him. Fortunately, I have run this decision past the approval board (namely, myself) and it got the green light.
While he was ever in the background, this guy was only onscreen for like seven total minutes of the third and final episode of Series One. That was enough to get him listed. Andrew Scott played the perfect onscreen foil for Benedict Cumberbatch’s modern Sherlock Holmes. Their brief time on screen together was electric, Moriarty stole the scene, as well he should have. Also, cliffhanger!
Now, comes the waiting.
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**The last entry has spoilerish content for Shutter Island and Inception.**
10. Dead Women (who now exist as dark figments in Leonardo DiCaprio’s subconscious) – Shutter Island and Inception
Mr. DiCaprio had a banner year in an already sparkling acting career.
I was 15 when Titanic came out, and at the time I lived in a house with four women. Thus, I was forced to deal with all sorts of annoying gushing and swooning over what is quite possibly the most overrated love story in cinematic history. I had a pretty low opinion of Leo for some time afterward. In my mind, he had some making up to do. Well, somehow, he’s not only managed to cover all that ground, he’s actually firmly positioned himself as one of my favorite actors, perhaps my favorite.
This year, DiCaprio’s roles were both similar in that each character was haunted by the ghost of his dead wife. The reasons and consequences were quite different, but the concept of a dead lady whispering Leo towards madness was rife with parallels between the two films. I’m not complaining, Inception and Shutter Island were hands down two of my favorite films this year. I just know that Michelle Williams and Marion Cotillard made it quite clear to me that I never want any dead people lurking around in my brain, representing my internal demons and closeted skeletons.
scrobbles. [music, the many lists of 2010.]
I wonder if we should change the name of this blog to, ‘In case anyone cares.’
In case anyone does care, here are my 10 most listened to bands last year, courtesy of last.fm.
1 |
691
|
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2 |
480
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3 |
412
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4 |
377
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5 |
371
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6 |
332
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7 |
318
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8 |
311
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9 |
309
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10 |
300
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