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monsters. [trailer park.]

The buzz for this movie is that it is pretty great. Based on the trailers alone, I’m not sure where the claims of originality come from, but I haven’t seen the movie yet. To me, the trailers so far promise a film that is part Cloverfield, part District 9, and part 28 Days/Weeks Later.

Regardless, personally, I am really looking forward to this film. So, since it was added to the list I made today in preparation for this year’s Halloween Moviefest, which just so happened to coincide with a newer trailer a week or so ago, I thought it was high time to include a trailer here on the site.

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the good, the bad, the weird.

Folks, you need to watch this movie right now. Tonight, or tomorrow at the latest.

I’m serious.

It’s a gem of popular Korean cinema. The film is insanely fun from start to finish. It’s entirely possible that I could watch this movie on repeat for an entire afternoon without getting bored.

As the name suggests, it’s a humorous homage to the western genre, in similar fashion to how Edgar Wright and Simon Pegg treated zombie movies with Shaun of the Dead and action movies with Hot Fuzz. Like those films, The Good, The Bad, The Weird is good enough in its own right to be enjoyed by someone who has never seen a western before (like my wife, who loved the hell out of it), but that enjoyment grows deeper the more familiar you are with the genre. So, for Brian and I, after watching 30 westerns in 30 days, the film was riddled with easter eggs just waiting to be spotted by attentive viewers, namely us.

Yet, while the influence of the western genre was plain for all to see, Ji-woon Kim was masterful in making sure that he tilted every scene he used from classic westerns so that he was always telling his own story. He never just copied a scene or moment, he always shifted it just to the left, making a movie that is an homage to some of his favorite movies, as opposed to making a movie which is merely a collage of other people’s work.

Kim’s directing was fantastic, as was the cinematography. As we were watching, we consistently exclaimed in wonder at the high degree of difficulty of so many of the shots. There were many long, audacious tracking shots filled with so many moving parts that they were literally jaw dropping, some of which were extended helicopter shots that must have been a bitch to reset when something went wrong. There are still some shots, especially those with large explosives next to living people, which I have no idea how they did. That’s impressive in this day and age.

The action scenes were the perfect cocktail of thrilling and hilarious. That’s a tough combo to get right without losing one or the other, but this should be used as a case study in how to get it right… or perfect.

Yet, with all that action and technical wizardry, they didn’t skimp on the characters. The writing was strong and the acting was pitch perfect by all involved. All three of the main characters are on the short list of the most enjoyable characters I’ve seen in my young movie-viewing life.

It was a tall order for the primary actors, each was filling a prototypical role that could have easily bogged them down in convention, or else their performance could have gone so far off the deep end that there is no longer a connection to the archetype. Yet, each character incarnated their role with the right amount of continuity to the past, tempered by a heaping portion of their own swagger and attitude to keep things fresh. The performances were so impeccable, it makes me wonder if the aforementioned swagger and attitude was perhaps Ji-woon Kim’s, bleeding through from the other side of the camera.

So seriously, go watch this movie now!

Pretty soon, I’m going to have to write a post all about the actor who played ‘The Weird,’ Kang-ho Song, whose dominance in the world of remarkable Korean cinema is nothing short of amazing. I believe he is this generation’s Toshirô Mifune, and sadly, like Mifune, most folks outside of their native country (Japan for Mifune and Korea for Song) will live and die without learning their name. Bullshit!

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sdcc.

As has been the case every year of my life, I did not attend Comic-Con this year. Alas, that doesn’t mean I didn’t enjoy it from afar. Here is some of the things I’m excited about, for now… as always, in no particular order.

1. The first image of Daniel Craig in Jon Favreau’s Cowboys & Aliens

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2. A new trailer for Tron Legacy

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3. Mark Ruffalo is the new Hulk!

It’s still far away, and we get Captain America and Thor in 2011, but news and rumors have still been trickling out steadily for months for The Avengers. First, in terms of strictly Avengers casting news, it was Jeremy Renner as Hawkeye, but then the rumors started to surface of Whedon directing, and now Ruffalo as the Hulk… Mark fucking Ruffalo! Who doesn’t love that guy? (If you say “me,” I will reach through this computer and bitch-slap you.)

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4. More and more people are seeing Scott Pilgrim vs. The World… and more and more people are going ape-shit!

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5. Another new trailer for Let Me In

It doesn’t suck. I still have mixed feelings, but, you know, the trailer really doesn’t suck! Plus, the great cast is going a long way in winning me over.

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6. Trailer for The Goon

I know, lately everything is zombies and vampires. This isn’t anything new, it’s just more mainstream right now… especially concerning zombies. Sometimes, things are just too awesome to be kept for the fanboys and fangirls… especially concerning zombies.

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7. The new poster/first full cast shot for AMC’s The Walking Dead

I’ll be writing about the Robert Kirkman graphic novel at length soon, if you haven’t read it, trust me, it’s awesome.

The cast looks great, and as Frank Darabont guides this baby to (un)life in October, I am as excited for this as I’ve ever been for the premier of any television show.

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inception, haters, and why i can't take it any more.

“I’m mad as hell, and I’m not going to take it anymore.”

Contrarians of earth: Please, for the love of all that is holy, stop writing about Inception.

This happens every time people start going apeshit about something. Suddenly, haters sprout up like weeds bashing it, griping about how overrated it is, writing long diatribes about how much they hate it. People, like myself, rave about how much they love Inception and then other people actually spend time writing about how no one anywhere should ever love it, under any circumstances.

Stop wasting everyone’s time, especially your own. Instead, use all that energy and passion raving about something that’s better, something you feel is more worthwhile.

First, to the general problems I have with hating on movies to begin with.

Movies are an art form, a creative medium, and watching a movie is a subjective experience. We can pretend all we want that our claims about the movies we love and the movies we hate are objective facts, but it just isn’t true. The mood we are in, the people we are with, the audience at the theater for that particular showing, some random chemicals firing in our head, all sorts of crazy subconscious shit bubbling up unbeknownst to us… there are an endless number of factors influencing how we feel about a film (or about anything for that matter).

So, why does it make you so angry that you want to prove to the people who love something that they are deluded and weak-minded? It’s insane. What bothers you so much about people who love Slumdog Millionaire, or Juno, or Crash?

The most common argument I’ve seen is that the contrarians are film advocates, that they are just steamed that subpar films are getting attention over great films. Bullshit. If that was the case, why are you wasting more ink on the film you hate, thus giving it more attention?!? Sure, make snarky comments with your friends, make fun of it in passing while you are writing about something else, but how much energy do you really want to expend trying to rain on someone else’s parade? Why would you want to rain on someone else’s parade to begin with? They are having a fucking parade, be happy for them!

Instead of whining and complaining, make a commitment that every time you see a [insert movie you hate here] article, you are going to write about Kurosawa and Wenders, or rave about Korean cinema, or try to get everyone to watch your favorite unrecognized movie. That, my friends, is advocacy. Negativity and criticism advocates nothing but negativity and criticism.

Also, why does it seem that everything written whining about a movie being generic and derivative is written so… well, generically and derivatively. You are going to complain about a movie being uninspired drivel by writing your own uninspired drivel? Come, again. (That’s what she said.)

Now, on to my problems with people complaining about Inception specifically. The complaints about Inception are particularly baffling. Sure, there are some people who hate it, but most of the people debating it are debating whether or not is a masterpiece, or just really good.

Really?!?

To quote Eli Cash, “Why would a reviewer make the point of saying someone’s not a genius? Do you especially think I’m not a genius?”

I’m pretty smart, and unquestionably passionate about the things I love. I could come up with a bunch of pretty solid arguments and big words to prove Inception was brilliant, then you could use similarly solid arguments and big words to prove it wasn’t. The question is, why? We both like it, why are we going to argue about just how much one should really like it? Talk about minutia. It’s the epitome of insipid. Let’s just get it out of the way now, if you want to spend time trying to convince me Inception wasn’t great, I’m not interested.

However, to briefly rave about the film a bit more, it is brilliant storytelling. Without spoiling it with specifics, there is a particular moment in the film where a large number of people at our screening made audible noises. Not out of fear, or disgust, but because they were so engaged in the story. Nolan told a heady, complicated story, and still had a cinema full of Americans involuntarily making noises because they were not only following along, but were on the edge of their proverbial seat (actually, my friend Austin sat in front of me, and there were times he was on the edge of his literal seat). I thought that maybe this phenomenon was unique to my viewing, or to my city, but as it would turn out, Warner Bros. has been pulling down video from the internet where viewers were using cell phones to document theaters full of people making noise at the exact same moment all across the country. To quote our vice president, that’s a big fucking deal.

Okay, back to my diatribe. I guess the thing that bothers me so much about this is how much energy people put into being negative. It’s really easy to hate on stuff, it’s lazy. Our culture actually says you are smart because you can critically tear something apart. That’s just not true. Tearing something apart is simple. Building something up is hard. You actually put yourself on the line when you praise something, that’s scary. Throwing temper tantrums because all the other kids like stuff that you don’t like is, well, you know.

I have tons more to say about this, but I’m going to stop for now. Suffice it to say that I implore you to put something positive into the world instead of being so negative.

Learn to advocate the things you love with more passion than you bitch about the things you hate.

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inception.

Hmm, how do I share my thoughts on this movie without giving anything away?

How’s this:

Masterpiece. Magnum Opus. Piece de resistance. Masterstroke. Tour de force. A brilliant, near-perfect event in cinematic storytelling.

It was the movie I was most excited for this year, and it exceeded every single one of my expectations. I’ll need a few more viewings to know for sure, but it’s possible I just watched my new favorite movie.

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western #30, 'serenity.' [another day, another movie.]

What really needs to be said? It’s Joss Whedon. It’s Nathan Fillion. It’s a space western. It’s awesome. Or, to use Firefly speak, it’s one shiny gorram movie. (Also, Glenn Howerton of It’s Always Sunny even makes a very, very brief appearance.)

If you pay attention to the story of how the show was handled, FOX dealt with it all so poorly that it was almost like they were trying to make it fail. Not surprising, it’s FOX.

If you’ve never seen Firefly and Serenity, you should do something about that as soon as you can.

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western #28, 'high plains drifter.' [another day, another movie.]

I loved this movie. It was awesome.

Unfortunately, I can’t say much more than that without ruining it. Part of what I loved was slowly coming to realize what my take was on the film, as it developed.

It was basically one big metaphor, although, like all good metaphor, it was filled with layers of nuance and mystery. If you’ve seen it, I’d love to discuss it, but I’m not going to spoil it for everyone.

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western #27, 'the outlaw josey wales.' [another day, another movie.]

Yes. Yes. Yes!

Everything that frustrated me about High Noon, The Wild Bunch, and Duck, You Sucker was remedied in this movie, as well as a really refreshing response to the American Western’s portrayal of Native Americans.

It is a sampling from early in Clint Eastwood’s directorial career, and only the second Western he directed (we’ll get to his first later).

I loved it.

The story is basically about a man whose family is brutally murdered by a guerilla terror squad working with the Union army.

He teams up with some bushwhackers to get some revenge, and thus begins the story of Josey Wales. He ends up becoming an avenging angel of sorts, protecting the innocent from harm, but the story is far better than that makes it sound.

The badass outlaw with a heart of gold, as we have seen many times before, but this time, there are different themes at work than there were before.

One of my favorites so far!

Also, young Clint Eastwood looks awesome with a beard.

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western #26, 'duck, you sucker.' [another day, another movie.]

Duck, You Sucker, also known as, A Fistful of Dynamite, is more Leone. Sadly, it is the first time in my brief relationship with him when he completely let me down.

This movie was nonsensical. Rambling and at times incoherent, it was missing much of what I normally love about Leone.

Also, can anyone explain to me why two guys were watching as the other made out with the same girl? Those flashbacks were just inane, far too long, and mostly pointless since they never really explained how the girl played into the whole thing. I guess we are supposed to guess.

This one left Brian and myself scratching our heads that Leone could make something like this.

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