Author Archives: gloaminganddawn

Going into this one, I didn’t expect much. All I knew was that Don Johnson was in it, that it was supposed to be weird as shit, and that the main character was able to speak to his dog psychically. It’s probably a good thing I didn’t expect much, because I got less.

It’s got a big cult following, and was on most post-apocalypse lists I found. I cannot be counted as one of the film’s fans.

The film was erratic and poorly executed in just about every possible facet. Primarily though, my issue is that this is the most openly sexist movie I’ve ever seen. It was genuinely absurd. Call me crazy, but I prefer heroes who don’t rape women because they have a belief that women are human beings, not because they never get around to it.

Not that having flawed main characters is something I’m against, it’s more the way the subject matter in the film was depicted. The whole, ‘Haha, isn’t rape hilarious? That rascally tramp! ‘ thing was just too much for me.

**Spoiler Alert** Then, in the “twist ending,” Don Johnson’s character kills the female lead so that his dog won’t starve to death. Haha, isn’t that hilarious? Women are just conniving and seductive objects created to satiate our various apetites.

Blech!

I assume that the content was treated with more nuance and irony in the book, but the film just didn’t get it done, so it came across as terribly sexist, uninspired, and boring.

Also, what was the deal with “The Underground?” A subterranean Topeka, Kansas where everyone wears clown make-up, there’s a 24-hour marching band, and even though there are no sun lamps present there are still trees and grass growing everywhere… what the fuck? Oh yeah, and when the security android is killing various teens for their treason, they just squat down and stare at him, waiting for him to come and kill them one at a time. Thus, even though said security android can only walk quickly and one could easily get away by running, the teens are all executed… one at a time… next to each other.

Sorry that the Day Six post went up for a moment, thus screwing up everyone who reads with an RSS feed. I’ve been giving myself a two day buffer to write the posts, and when I finished the writeup for today’s, I accidentally hit ‘Publish’ instead of ‘Schedule.’

By the way, how do you like the new layout? This one is still temporary, but I was really tired of the other one. Hooray for change!

Four days in, just ten to go.

Movie #4 was The Road Warrior or Mad Max 2. I know I’m in the minority here, but I actually like Mad Max better than the sequel. Don’t get me wrong, I’m not saying I didn’t like the movie. Who doesn’t enjoy watching a group of psychopathic bisexual Raiders fans with crazy cars and bikes and a leader who looks like a Jason doll’s head crammed onto a random He-Man villain action figure? Plus, we get to watch as said Raiders fans terrorize a group of people just trying to get by, until a mysterious stranger (who isn’t mysterious to us) comes to town like Clint Eastwood and saves the day. It was all the camp and action and terrible hair you could want in an 80’s movie.

I think I liked the first one better because I’m often from the ‘less is more’ school of thought. A smaller story with a character arc I could engage with drew me in more than the action of The Road Warrior.

Tell you what though, something that part two had that was missing in the first movie… the awesome feral kid with a knife boomerang. He sure did piss off that crazy guy in the assless chaps when he killed his boyfriend:

And, since I never posted it before, here’s something else I hope I’ll be laughing at soon.

I know it’s pretty sad that a movie freak like myself had never seen Mad Max before today, but it’s true. There are just so many thousands of amazing movies to see, it’s hard to get to them all. That’s where ‘Another Day, Another Movie’ comes in. It gives me the necessary motivation to familiarize myself with genres I have little or no experience of.

Mad Max has such a rabid reputation, beloved by so many for its car and motorcycle stunts, it’s road cinematography, it’s impact on sci-fi and post-apocalypse films, and it birth in Australia. Also, before it became clear he was insane, it was beloved for launching to stardom of Mel Gibson as well. I had a strong feeling this movie was going to be overrated, or, since The Road Warrior seems to be the consensus favorite of the franchise, I thought perhaps this one would suck, and they hit their stride in #2.

Let me tell you, folks: This film is not overrated.

I quite honestly had no expectation of saying this, but here it is… I loved Mad Max from beginning to end. It was basically a post-apocalyptic western. Instead of a band of outlaws on horseback, a band of insane motorcycle thugs wander the desolate remnants of society raping, terrorizing and pillaging. They run up against what’s left of a police force, based in the Halls of Justice, and… you know, one thing leads to another, people are killed, our lone wolf hero loses his shit and wreaks havoc as he gets his revenge. So many of the western film staples are present, perhaps most notably a take on Leoné’s boot shots, which in Mad Max were fucking awesome.

For those like me who haven’t seen it, the car and motorcycle stunts are everything they’re cracked up to be. Guys riding motorcycles off bridges, guys getting hit in the head by a tumbling bike, a guy flying off his bike at high speed, cars crashing through trailers at tremendous speed. I know the stunts in part two are even more intense, which means I can’t wait for The Road Warrior.

As cinematic revenge obsessed vigilantes go, Mel Gibson as Mad Max just may be my favorite. I won’t write out the whole line and spoil anything for those who haven’t seen it, but I was already really enjoying this character before he uttered, “The chain in those handcuffs is high-tensile steel…” Total bad-ass. Yet, they did such a great job creating the tenderness in earlier scenes that we totally understand his anger and insanity.

My only complaint is that I wish they’d made the revenge sequence longer. They did such a great job setting it up, I wish it had lasted more than 25 minutes.

Damn, I love movies!

Wow, sometimes even I can’t believe the extent to which I’m a huge nerd. Why do I enjoy doing these ‘Another Day, Another Movie’ things so much? I don’t have the answer. I just have a great time.

I’ve added another marathon to the queue, ‘Movies in Space.’ Pretty straightforward. They have to be movies that take place in space, or on another planet.

With the exception of Moon, Sunshine, Empire Strikes Back and 2001, etc., which are favorites I’m going to watch again, many of these are the space movies I haven’t seen from Total Sci-Fi’s list of “100 Greatest Sci-Fi Movies.” Some I’ve been wanting to watch for a long time, some I’ve never heard of before. I’m thinking about turning this one into a month-long thing.

Here’s what I have so far:
1. Flash Gordon (1980)
2. Solaris (1972) (maybe watch the George Clooney one, too?)
3. Dune
4. Outland
5. Barbarella
6. Dark Star
7. Moon
8. Silent Running
9. 2001: A Space Odyssey
10. The Fantastic Planet
11. Silent Running
12. Sunshine
13. Event Horizon (Brian and I make fun of this movie all the time, but it’s on Total Sci-Fi’s list, so I’m going to watch it. I’m nothing if not open-minded.)
14. Forbidden Planet
15. Serenity (there is always a reason to watch this movie, this ADAM is another one.)
16. The Empire Strikes Back (my favorite Star Wars movie. Or, as Lucille Bluth might say, my favorite Star War.)

So, again, I turn to you for help. What other space movies should I add? Or, if we are going to be honest and this is going to go the way it normally does: Jesse, can you give me some suggestions for more movies to add?

On the Beach is a sober look at the threat of total nuclear war. An American submarine surfaces after a nuclear holocaust, arriving in Australia to engage one of the few remaining population centers. Yet, even in Australia, deadly radiation carried on the winds is only months away from snuffing out the rest of humanity.

It certainly had its moments of power and gravity, but these were often bogged down by the film’s overly long runtime and plenty of segments that could have been much stronger if they’d been cleaner and more concise. The film would have been pretty great if the whole thing had been more like the last 25 minutes, which were much clearer and affecting.

I also couldn’t tell if Anthony Perkins’ performance was just really bad, or if perhaps something was lost in translation across the eras.

The music was pretty baffling too. It rarely seemed to have anything to do with total annihilation of all life on earth.

I’m not saying I hated it, but I won’t be watching it again.

We certainly kicked things off in style. Hayao Miyazaki is an absolute genius, peerless in his powers of imagination, and this just may be his greatest achievement.  It’s breathtaking, the way he creates a world of fantastic beauty, which is still believable as our distant post-apocalyptic future.

He sees humanity with clarity, yet still offers genuine hopefulness, which is the most amazing artistic gift I think one can possess. He uses metaphors to paint this tale of peace and environmental harmony, metaphors subtly rooted in eastern religion and philosophy. The result is a story of great depth. I’m sure on my fifth viewing of this film I will still be noticing bits of beauty I hadn’t seen before.

Nausicaa is also one of the few films which has been successfully dubbed into English. Normally, even in animated fare, the result is laughable. Yet, with the tremendous respect for Miyazaki in Hollywood, combined with all the resources of Disney (the English language distributor for all of Miyazaki’s films), the film found a superb voice cast for the English version (redubbed in 2005, 21 years after the film’s original release in Japan). Alison Lohman, Uma Thurman, Patrick Stewart, Edward James Olmos, Shia LeBeouf, and more round out the cast; which also includes the hilarious, dickishly villainous performance of Chris Sarandon.

This film was already towards the top of my queue, so I would have watched it soon anyway. Still, if all the rest of the post-apocalypse films are total garbage, this one makes the whole thing worth it.

Thank God for Hayao Miyazaki!

The Knicks had no chance of competing in the playoffs this year anyway, so I’ve come to terms with gutting the team to bring in Melo. The second piece is in place. The rebuilding continues. Regardless of how the CBA plays out, if in 2012 the Knicks can convince Amare and Melo to restructure a bit to bring in Chris Paul, who unlike Anthony can actually play defense, the Knicks are going to make things pretty interesting in the East.

The resurrection continues. Amen.

There is quite simply no one else like Gaiman. His work is so remarkably full and deep. He is second to none in his ability to write dark fantasy that slips in through the cracks of the post-modern soul.

During a year in which I have read so many wonderful books, this is my favorite so far. Set in modern day America, where all of the many immigrant cultures (dating all the way back to the original immigrants who came across the land bridge from Eurasia) have brought their gods with them.

In this world, in some mysterious way, a certain type of belief in a thing makes it so, and worship gives it power. The imaginations of countless races and peoples have thus been vehicles for the movement of various deities and monsters to the great melting pot. However, America is not a very sacred place. It is not a good place for gods. The old gods are being replaced by the newer gods of cars, and markets, and television, and computer technology, each with their own personifications. A storm is coming.

Here is where Shadow, the stoic protagonist’s story begins. I’ll let you read the book for yourself if you want to know more than that, because that’s all I knew heading in and I liked it that way.

I’m continually amazed by Neil Gaiman in so many ways. His vast grasp of mythology and historical fantasy stories gives his writing such a remarkable richness. It results in the reader always knowing that he or she is only seeing the tip of the iceberg for so many of the characters and events, allowing the imagination to run wild in so many directions. There were plenty of gods I knew enough about to see what was going on beneath the surface, with plenty more I researched a bit to get an even deeper understanding of their role in the story.

I loved this book.