western #1, 'yojimbo.' [another day, another movie.]

The month of westerns is underway, and Mr. Akira Kurosawa kicked things off in style.

There are loads of popular westerns. Some are as popular and famous as the “Man with No Name” trilogy (or the “Dollars” trilogy as it is sometimes called), but there are none more so. Popular culture still offers frequent homages and tips of the cap to Clint Eastwood as the main character in three films which can be understood as the adventures of one lone wanderer, whose name we never learn.

Eastwood obviously starred in more westerns, many of them argued as better than the “Man with No Name” films, but those big three, culminating in the prequel of sorts, The Good, The Bad and the Ugly, are the best known.

The first of that trilogy was A Fistful of Dollars, which will be Western #2, and that film is a punch for punch adaptation of Kurosawa’s Yojimbo. It is just one of many occasions in which some of the most significant films about the American west were directly adapted from Japanese cinema.

Let me tell you folks, Yojimbo is legit. I loved every damned minute of it.

Kurosawa was influenced by Irish American director John Ford, who directed western classics such as The Searchers, Stagecoach, and The Man Who Shot Liberty Valance. The first two of those three are on AFI’s “100 Years, 100 Movies” list, cataloguing the 100 greatest and most important films of the first 100 years of cinema. He took the western theme and set it in Japan, turning cowboys into samurai.

However, while he was largely influenced by American westerns, it was he who is largely responsible for the trend in westerns to tell the story of one lone man beating the odds and a load of bad guys in the process.

Yojimbo is responsible for that trend.

The main character is fantastic. We never learn his name, although he makes a name up while looking out the window at Mulberry Fields, calling himself “Mulberry Fields, Age 30.” He is the ultimate badass, often to hilarious results.

Every scene is remarkably well shot. The score is great. And as alluded above, Toshirô Mifune, as the mysterious, masterless samurai, is brilliant. If I didn’t have so many westerns to watch this month, I would probably watch this one again pretty soon.

I can’t wait to watch more Kurosawa, and if the rest of the month holds up like day 1, this ridiculous idea will also go down as one of my best.