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as seen on tv. [the many lists of 2010.]

I didn’t actually keep track of tv shows I watched in 2010. I should have, like Kj did, but I failed to do so.

I’ll have to remember to do that this year. In the future, I would like to actually do this as a season specific thing, but I need to keep track before I can do that.

To be on the list, they didn’t have to air this year, I just had to watch at least one full season for the first time this year.

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1. Archer

Let’s see… today is the 6th, which means we have two weeks and five days until the new season starts. Rejoice!

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2. Dexter

Em and I are dreadfully behind in our Dexter episodes. We really need to use this week to catch all the way up. So many shows, so little time.

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3. Community

The second season started a bit slow, but then kicked into ‘awesome’ gear again.

I love how layered all of the show’s references are. There are the really obvious overarching pop culture references, like the Goodfellas/Godfather episode, or the Space Camp/The Right Stuff/Apollo 13 episode, etc. Yet, they also have tiny little references I don’t catch until I’ve seen an episode two or three times; tiny moments of dialogue, the way someone drops their pepper water gun, or even the fact that early in season one, Troy and Jeff are jokingly referencing Gillian Jacobs’ caracter in Choke as they leave a classroom.

Also, they gave me my favorite holiday special ever.

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4. Sherlock

This show is fantastic. Only three 90 minute episodes in Series One, so it left Emily and me wanting so much more. Episode two was a little meh, but one and three were so very entertaining.

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5. Doctor Who

Along with Sherlock, Doctor Who ensures that 2 of these 10 shows are somehow related to Steven Moffat.

The man is a television god. “The Empty Child”/”The Doctor Dances,” the first two episodes he wrote for Doctor Who, back in ’05, were my favorite from the revamp’s first year. Then, he churned out great episodes in every season after that, including the Carey Mulligan episode.

Perhaps the most impressive thing he’s done is make a fifth season I am enjoying so much. I’m not going to lie, I cried like a big fat baby watching David Tennant’s last episode, so it was a tall order to win me over to some fancy new Doctor. Somehow, it took Moffat’s ‘revamped revamp’ about 5 minutes and I was totally in.

This show also gets more accessible every season, to the point that Doctor Who spinoff ‘Torchwood‘ (which, you’ll notice, is an anagram of Doctor Who) is moving to the states via Stars.

Anyway, if the Doctor ever starts taking male companions around with him on a more regular basis, I’m taking my talents to the TARDIS.

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6. Castle

As I was making this list, I realized that Nathan Fillion is probably known to many in the country as ‘that guy from Castle.’

This makes me sad. He has so much more to offer.

Yet, that’s not entirely bad. I think everybody can use a light detective drama in their life, to unwind without having to invest heavily on a mental level. This just happens to be the best one of those out there. The writings is usually pretty good for the genre, the characters are all likeable, and the show is clever and witty.

When you get that while also getting to bask in the sexiness of Stana Katic and Nathan Fillion, it’s a win, win, win.

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7. The Walking Dead

This adaptation of the graphic novels doesn’t disappoint. Although, I am soooo curious where they are going in season two, since they diverged so much from the end of the first volume of the books.

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8. Lost

The end of Lost certainly fits into that ‘Love it or Hate it’ category. While there were certainly disappointments, and plenty could have been more satisfying, I am still most definitely one of those seated in the ‘Love’ section.

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9. 30 Rock

I have one pet peeve, something maybe everyone else can help me out with. During the first episode of 30 Rock, The Girlie Show was already a thing. Then, Jack came to town, made Lemon hire Tracy Jordan, and rebranded the show as TGS with Tracy Jordan. Still, it’s the same show, just a rebranding, like when Saturday Night Live changed their branding to SNL, or American Movie Classics changed their branding to AMC. So, my question is, why does the show always pretend that TGS is only as old as 30 Rock? They celebrate 30 Rock milestones ‘in show,’ by pretending they are at the same milestones in TGS. What’s the deal there? Am I just missing something? Help a brother out.

Aside from that, this show is amazing. The best guest appearances, awesome inside jokes, hilarious writing, and the remarkable ability to have a show that still has me laughing out loud in season five. What is this, Seinfeld?

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10. Deadwood

Slow, dark, gritty, angry, violent, and brilliant.

This show follows along so closely with the historical account of how things went down in the actual Deadwood, it’s got much more reality than so called ‘reality tv.’

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the walking dead. [trailer park.]

A nice, long trailer for AMC’s upcoming show The Walking Dead, based on the graphic novels by Robert Kirkman which I’ve already discussed at length here.

And fear not, even though the second minute is a bit misleading, this isn’t just a slow zombie, American version of 28 Days Later.

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the walking dead. [graphic content.]

Have you read The Walking Dead yet? If not, you are in for a big treat my friend. It’s a fantastic comic series written by Robert Kirkman about life after the zombie apocalypse. The main character is a police officer named Rick Grimes who gets shot in the line of duty, goes into a coma, and wakes up after the proverbial shit has hit the fan (a la 28 Days Later). It is the perfect way to introduce the series, because it’s about life after the zombie apocalypse, so using the coma technique is a clean way of allowing us to adjust to the post zombie world along with our hero.

The comic book/graphic novel medium is perfect for exploring this subject matter, because the story goes on and on, and thus it can take us so much deeper into the questions and metaphors inherent in the zombie genre.

There are tons of reasons why zombie stuff is great, but one of the more important reasons is that it is rife with metaphor at the heart of American culture. It wasn’t an accident that Romero set the sequel to Night of the Living Dead at a shopping mall.

At the moment, our culture is in the midst of this bizarre war where a huge portion of the population refuses to let go of American mythology from the 50’s. We have these ideas of what it means to be American, of what “real America” looks like, and while that ideal never existed, it is even more dangerous now because it should have died a long time ago, it’s alive and kicking even though it shouldn’t be, it is undead now. Actually, Bill Willingham used this as a tiny portion of his Fables storyline, and it was utterly brilliant, but Fables must be left for another post.

Zombies represent something terrifying because they are us. They are our fear of death, our fear of our appetites, our fear of the nagging thought in the back of our minds that we are our own worst enemy, that we will bring about our own destruction.

Yet, what are we left with on the other side of that? We play with the zombie genre, and lets say we make it to the other side of the cataclysm, doing our best to survive long term in a world overrun with a horde of the undead. Then what? Well, that’s what The Walking Dead offers a potential answer to. It’s a band of survivors trying to make life work, trying to keep their children safe, trying to fall in love and find a reason to wake up each day. If everything that we think makes up our world is taken from us, where do we go from there?

Kirkman’s writing is fantastic; tense, well paced, and constantly engaging. I almost always buy what characters are doing, how they are treating each other, etc. That’s rare.

Also, it just may be the best panel work I’ve seen. The art is all black and white, and the way Kirkman and Tony Moore, followed by Charlie Adlard, lay out the panels is perfect. It’s sparse, often with very little going on within each page, creating a great relationship between the story and the art. Also, they avoid the common pitfall of accidently giving away a big moment by placing a full panel event on the right page. What I mean is that so often I accidently learn something I don’t want to know when I turn the page, because as your turn a page you see page 35 on your right before you look back to 34 on your left. If there is this huge, full color death scene (or whatever) before my eyes as I turn the page, I can’t help but see it, so even though I haven’t read the stuff on the left, I know what happens on the next page. In The Walking Dead I am consistently impressed that they build up the big moment, and then make you turn the page to see what happened. It seems like it would be a simple, obvious thing to make work, but it is rare in my experience. They take the medium seriously, and realize what the reading experience will be like.

I really love this series. In the coming world, post Z-Day, the undead won’t be our only enemies. Other humans in the world, people in our own group of survivors, even our own sanity and grip on reality becomes tenuous and dangerous. Kirkman engages the potential for story in this realm with great attention to detail, honesty, impressive character psychologies, and gifted artistic help. You should read these! (And watch the show on AMC when it finally arrives in October).

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sdcc.

As has been the case every year of my life, I did not attend Comic-Con this year. Alas, that doesn’t mean I didn’t enjoy it from afar. Here is some of the things I’m excited about, for now… as always, in no particular order.

1. The first image of Daniel Craig in Jon Favreau’s Cowboys & Aliens

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2. A new trailer for Tron Legacy

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3. Mark Ruffalo is the new Hulk!

It’s still far away, and we get Captain America and Thor in 2011, but news and rumors have still been trickling out steadily for months for The Avengers. First, in terms of strictly Avengers casting news, it was Jeremy Renner as Hawkeye, but then the rumors started to surface of Whedon directing, and now Ruffalo as the Hulk… Mark fucking Ruffalo! Who doesn’t love that guy? (If you say “me,” I will reach through this computer and bitch-slap you.)

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4. More and more people are seeing Scott Pilgrim vs. The World… and more and more people are going ape-shit!

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5. Another new trailer for Let Me In

It doesn’t suck. I still have mixed feelings, but, you know, the trailer really doesn’t suck! Plus, the great cast is going a long way in winning me over.

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6. Trailer for The Goon

I know, lately everything is zombies and vampires. This isn’t anything new, it’s just more mainstream right now… especially concerning zombies. Sometimes, things are just too awesome to be kept for the fanboys and fangirls… especially concerning zombies.

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7. The new poster/first full cast shot for AMC’s The Walking Dead

I’ll be writing about the Robert Kirkman graphic novel at length soon, if you haven’t read it, trust me, it’s awesome.

The cast looks great, and as Frank Darabont guides this baby to (un)life in October, I am as excited for this as I’ve ever been for the premier of any television show.

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