scott

Needless to say, the blog challenge seems to have gone the way of the buffalo. I just haven’t had the brain space this last week for consistent blog writing, and I just missed so many days. Still, it does seem the this jumpstarted me back into blogging again, so perhaps it will remain semi-regular. I’d like that, because even if it is a huge waste of time, I enjoy my little stream-of-consciousness ramblings here.

I guess a ‘Last Five Movies’ post is a good way to get my brain juices flowing again, rejuvenate the mind-grapes if you will.

————————————————————

1. The Do-Deca-Pentathlon

This tiny little movie by the Duplass brothers certainly isn’t perfect, but by the end, I was really glad to have watched it. It had a sweetness, and enough insightful moments to carry its forgivable (in my opinion) weaknesses.

————————————————————

2. Killing Them Softly

I really wanted this movie to work to a higher degree than it did. It was good, don’t get me wrong, but it could have been really special.

The performances were really fantastic, straight across the board, and director Andrew Dominik showcased those talents with some really engaging monologues throughout the film. I’d understand if people thought there were too many, but I felt that it seemed to work as part of the style of the film. The movie also had some beautiful shots and filming sequences scattered throughout.

Where the movie did fall short for me was in the way Dominik tried to tie it all together using the American economic crisis. The forced metaphor just got too heavy handed, didn’t hold up, and then you lose the glue he was trying to use to keep the whole thing together. It would have worked better as a subtext, but instead we just got repeatedly beaten over the head with it.

Again, there really are some fantastic moments, and I’d love to watch those a few more times, maybe without sitting through some of the sloppier bits again.

Sometimes, less is more.

3. Hitchcock

This was just sort of flat and uninteresting to me. Touching on deep personality issues and psychological baggage, without actually engaging them. There is some really dark stuff half depicted, and then just glossed over as if it is no big deal. I guess either don’t depict, or actually engage it, otherwise you just look confused, no? They also did a lot of hinting at his brilliance without actually revealing some concrete places it manifested. They failed the ‘show don’t tell’ test. There was also a constant cartoonish feel that isn’t really appropriate for this sort of biopic, it was just illogical for the subject matter. It worked really well in Ed Wood, but in soooo many ways, this was NOT Ed Wood. 

Among many things, the primary thing I didn’t understand was the score. You’d think the score would either be influenced by Pyscho, or by the tone they were trying to set with Hitchcock. Instead, after an opening scene that used the music from Alfred Hitchcock Presents, the rest felt like it was from a family movie about a haunted mansion or or a bad remake of Bedknobs and Broomsticks. Weird shit.

————————————————————

4. Oblivion

Far from perfect, but a solidly entertaining summer sci-fi movie. The things I could nitpick aren’t really things I need perfect in a summer blockbuster. After all, there are different movies made for different reasons, and we should embrace that for what it is. If the weaknesses were fixed, it would have elevated Oblivion from pretty good to spectacular, but pretty good is enough for me in this case. It’s really beautiful to look at, it’s smart as long as you don’t pick it apart too thoroughly (fair enough if you do), and brings together lots of sci-fi tropes in ways that aren’t particularly deep, but are pretty fun.

Also, M83’s score was satisfyingly and unsurprisingly epic.

————————————————————

5. Easy Money (Snabba Cash)

So, most of these movies I’ve basically said are good but not great. Well, here is the exception. No reservations, this movie is just great. A really well-told story. The acting is fantastic, which is important, since these characters are always toeing the line between sympathetic and unsympathetic. It is largely the performances that keep them human and keep us caring what happens to them. The direction and cinematography is also really beautiful, the pace is perfect, the film is quiet in the right moments and explodes at just the right times, it hits all the right notes… I really liked this one.

A really, really spectacular crime drama filled with thrilling and heartbreaking moments. I could have just watched the movie twice on repeat.

Now they just need to release the sequel in the US!