Look out the window at dusk in the dead of winter. Trees, long stripped of their colorful plumage, are stark and black against the blue of the darkening sky. All alone. Their branches reach for the stars, reaching for their small ancient light. The wood is dry and cracked from the harsh elements of a cold winter. Winds from every direction have seemingly battered the life out of the mangled organism. A branch or two is felled with every gust of wind, which are then covered over with the freshly fallen snow, and forgotten. Snow and ice coat the trunk and remaining branches like a well-worn fitted suit. The tree shakes in the blustery winds of arctic origin (where there are no trees, for good reason), like chattering teeth, the branches rattle together. The tree turns its attention anxiously to the east. Waiting with great anticipation as it shivers through the night. The night is cold. The sun breaks over the horizon and wraps it’s warm, yellow arms of light and heat around the cold, covered wood. The suit of frozen precipitation is melted; stripped away like a robe dropped to the floor. Branches, previously weighed down under the cover of snow and darkness, readjust & reach for the sky once again, like a good stretch after a long nap. Light gives heat gives life, yet light is born out of darkness.
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I’ve known Claire Anthony for nearly ten years. Ever since I’ve known her, she has continually left me in awe, and even intimidated with her depth and incredible talent. There is a quality to her performance style that is hard to pinpoint. It is something that cannot be learned or taught. It is not something one can emulate. It is a quality that is inborn. There is a vocal quality that gently, yet firmly grabs your attention. It beats back at distraction like the deluge beats back conflagration, and guides your focus. Even with everything else fallen away, the honesty is disarming. Despite any nerves that may be present, the performance is still as if we have joined Claire in her bedroom at 3am, listening in as she sings and plucks her way through songs freshly copied from the tablet of her heart. I’ve found it is rare that a performer can combine talent with this honesty and vocal expressiveness. You believe every word because every word feels true, because every word is true. But I am biased, I suppose …
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It will be hard for me to not have this last paragraph sound exactly like Gina’s …
Her lyrics are steeped in poetic imagery and her voice conveys emotion where mere words fall short … just reread the first paragraph of this post … the scene I described is what her music is. Her songs wrap their long, loving arms around you and warm you back to life. Visit her myspace. Listen to the songs I’ve linked here, and the ones there. If you’re in Western Washington, go to one of her gigs. You will be in awe too. Listen:
Scott
I completely agree.
You’re not supposed to be able to sit down at a coffee house in Queen Anne and hear someone cover Norah Jones so well, matching every note, that it is difficult to tell which of the two ladies is the Grammy winner.
You’re not supposed to, but I experienced just such a moment, right here in QA at a little place called El Diablo (according to language expert Ron Burgundy, that’s Spanish for ‘a fighting chicken’). And, of course, the vocalist was the lady profiled here, Ms. Claire Anthony (which, ironically enough, is also Spanish for ‘a fighting chicken’).